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United Kingdom. April 2, New York Times. October 5, National Geographic World. Tell Me More. March 3, Archived from the original on May 16, All Academic. Archived from the original on September 22, University of Arizona.
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Archived from the original on June 26, Newton Jr". The Officer Down Memorial Page. Archived from the original on May 4, Note: The United States Marshals Service has suffered more total line of duty deaths, though over a longer time period see "Archived copy". December 1, Archived from the original on January 1, Rosas, Jr. Archived March 7, , at the Wayback Machine. Retrieved December 14, El Paso Times.
June 11, Archived from the original on December 7, Sky News. June 12, We are genuinely excited to share this long-crafted series with audiences. I'm a fan of shows like this and thos one looks particularly interesting. I'm looking forward to it. S release in Both of these releases were full frame. Universal Studios released the English-language version of the film on DVD in widescreen as part of a two-pack bundle with King Kong Escapes in ,  and then on its own as an individual release on September 15, The original Japanese version of King Kong vs. Godzilla is infamous for being one of the most poorly-preserved tokusatsu films.
In , director Ishiro Honda prepared an edited version of the film for the Toho Champion Festival, a children's matinee program that showcased edited re-releases of older kaiju films along with cartoons and then-new kaiju films. Honda cut twenty-four minutes from the film's original negative , and as a result, the highest quality source for the cut footage was lost. For years all that was thought to remain of the uncut version was a faded, heavily damaged 16mm element from which rental prints had been made.
In , Toho issued a restored laserdisc incorporating the rediscovery of a reel of 35mm trims of the deleted footage. The resultant quality was far superior to previous reconstructions, but not perfect; an abrupt cut caused by missing frames at the beginning or end of a trim is evident whenever the master switches between the Champion cut and a 35mm trim within the same shot. This laserdisc master was utilized for Toho's DVD release with few changes.
In , Toho released a new restoration of the film on Blu-Ray, which utilized the 35mm edits once again, but only those available for reels of the film were able to be located. The remainder of video for the deleted portions was sourced from the earlier Blu-Ray of the U. Due to the film's great box office success, Toho planned to do a sequel almost immediately. The sequel was simply called Continuation: King Kong vs. Also due to the great box office success of this film, Toho was convinced to build a franchise around the character of Godzilla and started producing sequels on a yearly basis.
In , Kaoru Mabuchi a.
Takeshi Kimura wrote a script called Frankenshutain tai Gojira. This began an intra-company style crossover where kaiju from other Toho kaiju films would be brought into the Godzilla series. That film, however, was not a sequel to King Kong vs. Henry Saperstein whose company UPA co-produced the film Frankenstein Conquers the World and the film The War of the Gargantuas with Toho was so impressed with the octopus sequence  that he requested the creature to appear in these two productions.
The giant octopus appeared in an alternate ending in Frankenstein Conquers the World that was intended specifically for the American market but was ultimately never used. Even though it was only featured in this one film although it was used for a couple of brief shots in Mothra vs.
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Godzilla  , this Godzilla suit was always one of the more popular designs among fans from both sides of the Pacific. It formed the basis for some early merchandise in the US in the s, such as a popular model kit by Aurora Plastics Corporation , and a popular board game by Ideal Toys.
Additionally, the MireGoji suit from 's Godzilla Millennium was modeled after the suit. In to coincide with the company's 60th anniversary , Toho wanted to remake this film as Godzilla vs. King Kong  as part of the Heisei series of Godzilla films. However, according to the late Tomoyuki Tanaka, it proved to be difficult to obtain permission to use King Kong.
Mechani-Kong  but, according to Koichi Kawakita , it was discovered that obtaining permission even to use the likeness of King Kong would be difficult. Mechagodzilla II in In making Pirates of the Caribbean: Dead Man's Chest , the special effects crew was instructed to watch the giant octopus scene to get reference for the Kraken.
Through the years the film has been referenced in various songs, advertising, television shows and comic books. In , Legendary Entertainment announced plans for a Godzilla vs. Kong film of their own unrelated to Toho's version , to be released on March 13, For many years a popular myth has persisted that in the Japanese version of this film, Godzilla emerges as the winner. The myth originated in the pages of Spacemen magazine, a s sister magazine to the influential publication Famous Monsters of Filmland.
In an article about the film, it is incorrectly stated that there were two endings and "If you see King Kong vs Godzilla in Japan, Hong Kong or some Oriental sector of the world, Godzilla wins! This misinformation would be accepted as fact  and persist for decades. Various media have repeated this falsehood,  including the Los Angeles Times.
But with the rise of home video, Westerners have increasingly been able to view the original version and the myth has been dispelled. The only differences between the two endings of the film are minor:. In , comic book artist Arthur Adams wrote and drew a one-page story that appeared in the anthology Urban Legends 1, published by Dark Horse Comics , which dispels the popular misconception about the two versions of King Kong vs.
From Wikipedia, the free encyclopedia. This article is about the film. For the upcoming film, see Godzilla vs.
Theatrical release poster. Retrieved July 1, Fangoria 1. O'Quinn Studios Inc. Nihon Eiga Broadcasting Corp. Archived from the original on October 16, Mcfarland, Famous Monsters of Filmland Warren Publishing. Scarecrow Press, Teruyoshi Nakano talks of Godzilla past, present, and future.
G-Fan Daikaiju Enterprises, King Kong Cometh! Plexus Publishing Limited, Cinefex 7 R. B Graphics. Tom Perry Special Collections. Brigham Young University. Cooper Papers. A Nation of a Hundred Million Idiots?